The time has come. I am ripe to write the first edition of my personal artist statement.
An artist statement provides a general overview of an artist’s work, the personality behind it as well as keys to understanding the art and what to look out for in it. As one changes over a lifetime, the artist statement is destined to change, too, so it’s a living document.
But I must spend a note or two preparing the arrival of mine.
For this note-
My notes as a reader on:
My artist influence Wassily Kandinsky
A great example for a strong artist statement is Wassily Kandinsky, who wasn’t content with just giving you a list. He wrote the great essay „Concerning the Spiritual in Art“, laying down how he kept trying to translate music and the progression of time onto canvas. Art cannot do that…or can it? Knowing this, you are looking at his works with different eyes and maybe even with a different intent. The artworks aren’t just visually pleasing anymore, you will look at them and wonder what sounds he tried to catch and how much of a song or symphony you are seeing there, translated, compressed, spoken out on a 2D plane. And you must not forget, you see it interpreted through him and how he is. Can you read the music and hear it in your head? Would you dare to try?
Also, do you see that Kandinsky’s statement is both grandiose but still simple to understand? Drawing music hard! So I guess if the statement is too complex, it is fake again, and you lose yourself. Also note that Kandinsky didn’t pour all of himself into it. The mission he gave his art surely took up a good chunk of his life and later years, yet we don’t hear about who Kandinksy is and how he is. The art and what it does is the focus of the statement, not him as a person. We can deduct some from what he is doing, yet he does not insist that he is his art and that there are no private spaces left for the private person Kandinsky as well as spaces that are only the work, not the artist.