Today I want to tell you a creepy story. Let‘s call it the dangers of creativity, but with a wink.

On Monday, the 25th of January, I wrote the revised script for the next chapter of my webcomic „Street Prey“(SPREY). Only after two or three days of misery did I realize I was battling to cope with emotions bigger than me. My own script that is not the best comic script ever written moved me so much that I changed. Usually it‘s the other way around, the comic changes when I learn something new about making art or storytelling. But I guess it is a giving and taking here. By the end of the week even I realized I could not just go back to making the comic like before without at least changing some things up for the future. In the meantime I spent a ridiculous amount of time on gamedev, concept art and learning. And this time something clicked and the quality of my work went up instantly, across the board. My own theory is that I did not make sudden new art gains but rather found ways to put what I already knew in theory down on canvas now.

My perception of life changed, and then my perception of my art and art in general followed, unlocking more that I could observe and do.

You surely know phrases like „Make art for yourself“ or „Live at your own pace“. Both of these are equally scary if you sincerely attempt to live them. I will admit I only very recently could give them a personal meaning for myself.

Making art for myself means making art you wish someone would make for you and others to enjoy and that doesn‘t exist yet in the exact form you want to have it. But then, when you think it through, you run into a huge problem. You have to accept a lot of hard truths. Think about it. If you weren‘t you, would you read your own comic? Would you follow the artist doing your art your way on social media? If you hadn‘t created it yourself, would you like it?

I wouldn‘t follow myself and I wouldn‘t read SPREY. I would hate it to wait for a panel day to day. If it‘s a cinematic experience, why don‘t you give me the whole scene immediately as comic or animatic. And if you need it interactive, give me the branches and have it all drawn out or shut up. That hurts, is incredibly amusing at the same time (you would think you as an adult would have figured something that simple out earlier!), and still hurts a lot, but guess what, artists are problem solvers so it‘s my task to find ways to make that work better. I am cringeing sincerely while writing, but I am also laughing. And the following myself problem is also easy to solve actually. My social media feed would just have to contain what I am attracted to as a viewer myself. Sounds obvious but isn‘t if you have or had a hard time loving or even just accepting yourself.

Now to living at your own pace. I had no idea what my own pace was and I‘m still not entirely sure I have a full grip on it, but it‘s better than before. I‘m under the impression I was constantly driven by fears and unreasonable expectations in the past. When I stopped caring whether I‘m fast or productive enough or whether I‘ll have something to show on social media at the end of the day, I could let my mind go and focus better. And ironically, letting go might help actually getting more things done. Social media…I am ignoring them mostly for now. That is not ideal but contributed to the environment that made me rapidly improve recently. That really makes you think. Also social media is not the devil. Nobody says you have to bend backwards for any attention you can get. I can only just be at so and so many places per day with my mind and focus.

Oh my… what now? I need more time to think about SPREY‘s future while making more prep work for chapter 2A. What a coincidence.

See you next blog entry!

Above: Rich and Willard translated into the new style. It worked surprisingly well, yet the question is, is it sustainable?

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